Italy Re-Mastered

 

essay 1Italy Re-Mastered

I always forget my camera.  ‘How will you remember?’ My mother asks, brow furrowed.  My response: ‘If I forget something, then it wasn’t that important.’  A philosophy that has not always worked out.  So, on my trip to Italy, I was determined to record everything.  Not only to save my memory but my life –my mother might bite off my head if I came back from our ancestor’s birthplace with only a few souvenirs as evidence.  Italy, prepare to be digitally re-mastered.

Spiraling up the narrow streets of Old Amelia, my every idealistic dream of Italy is fulfilled; I would have been disappointed if I hadn’t seen homes with ivy crawling down their walls or a clotheslines waving in the sun.  I had only been in Amelia a week, and the town’s historical feel and flourishing countryside had siren called my friend Bailey and I.  As we photo raided the old town, our descriptions were all the same.  With the crumbling stone streets and flowers blooming from every crack and balcony, it was the perfect setting for Romeo and Juliet.  With the expanse of forest stretching to forever, I immediately blurt out Fangorn.  With side paths leading to hidden caves, we understood how Fairy Tales crept into the minds of men.

My mind felt muddled.  I was uncertain whether the magic quality I was so sure I sensed hanging in the air amidst the countryside was authentic, or merely stemming from my own expectations of Italy.  I expected charming villas and houses impossibly gripping hillsides.  But my mind only saw how the real Italy fit into my own created version.  I refused to compare Italy to anyplace I had seen in the United States –Italy was mythical.  Legendary.  Unattainable perfection.  Fairy tales and Lord of the Rings comparisons uplifted Italy onto a pedestal of fantastical proportions.  As soon as Italy resembled the United States, its magic would die.

essa1I desired Italy’s old-school charm, but it isn’t a country of stone cottages with people baking their own bread.  My host family had a washing machine, internet, and televisions in just about every room.  Nevertheless, I took the majority of pictures in Old Amelia, the stereotyped ancient Italy.  Not only was I perpetuating the illusion of idyllic Italy for myself, but for everyone who would see my pictures.  I was trying to force Italy into my narrow vision instead of letting Italy show itself to me, resisting Italy’s introduction to a more modern age.  Americans want the tourist Italy displayed in movies, but Italy needs modernization to survive.  A difficult dichotomy for Italy to juggle.  How can it prosper if the marketplace is holding it back?  How can it satisfy the world if we are demanding it to maintain its traditions, but throw a fit if there is no Wi-Fi?

Yet it would be impossible for Italy to live up to my idyllic standard, since Americans cannot decide what we want.

On the golden bridge in Florence, in Titignano exploring vineyards, in Assisi experiencing the spirituality of the church, all the students, even I said –‘Just wait until Rome.’  We were in places full of history, culture, and beauty.  Yet it wasn’t enough.  Italy wasn’t Italian enough for us.  We were looking forward to the bigger, the better.  Even my host mother contributed to Italy’s inability to compete with itself as she said to me over a handmade pasta dinner, ‘Florence is beautiful, Assisi great, but Rome is best.’

Could even Rome fulfill the ideals I had built?  Or was it only where I would collect the best pictures, ones untouched by the modern age?  Temples, the pantheon, Colosseum.  Perfect for my photo presentation to my family to show the magnificence of Italy.  However, moments where pictures were impossible, or not impressive enough to earn a place in my slideshow, captured a spirit of Italy photos failed to illuminate.  When my host mother translated the News for me every night, laughing at the ridiculous politicians.  When I was waiting to see the David, but was more interested in watching the man who sold pictures on the streets, run from the cops.

Maybe it’s serendipitous I sometimes forget my camera.  Behind the camera I control what I see and show others.  Leaving the camera behind allows Italy to show itself to me without my own stereotypes staining my photos and memory.  Italy is a mix of history and art and myths, but we often forget the authentic Italy, the common people who actually live there.  Americans need to accept Italy as it is, or is trying to be, and not foolishly like me decide to try and preserve a culture we think we understand.  We cannot prevent Italy from progressing and flourishing in its own way –mastering its own life.

About the Author:  I’m Lindsey Fischer and I am going into my junior year at Allegheny College, as an English major, and History and Latin double minor.  Originally I am from Ohio, where all the members of the Italian side of my family live, and eat, and talk and talk…I love reading writing, swing dancing, and now, travelling!

Lisa Ellen Niver

Lisa Ellen Niver is an award-winning travel expert who has explored 101 countries and six continents. A graduate of the University of Pennsylvania, she worked on cruise ships for seven years and backpacked for three years in Asia. She is the founder of the website WeSaidGoTravel which is read in 235 countries and was named #3 on Rise Global’s top 1,000 Travel Blogs. With more than 150,000 followers across social media, she has hosted Facebook Live for USA Today 10best, is verified on Twitter and listed on IMDb, and is the Social Media Manager for the Los Angeles Press Club. You can find Lisa Niver talking travel on broadcast television at KTLA TV Los Angeles, Satellite Media Tours, The Jet Set TV and Orbitz travel webisodes as well as her YouTube channel, where her WeSaidGoTravel videos have over 1.5 million views. After three months on TikTok, Instagram Reels, Facebook Reels and YouTube Shorts, she had over 500,000 (1/2 million) views. As a journalist, Niver has interviewed Deepak Chopra, Olympic medalists, and numerous bestselling authors and been invited to both the Oscars and the United Nations. She has been a judge for the Gracie Awards for the Alliance of Women in Media, and has run 15 travel competitions on her website, publishing over 2,500 writers and photographers from 75 countries. For her print and digital stories as well as her television segments, she has been awarded three Southern California Journalism Awards and two National Arts and Entertainment Journalism Awards.   Niver has published more than 2000 articles, in more than three dozen magazines and journals including National Geographic, Wired, Teen Vogue, HuffPost Personal, POPSUGAR, Ms. Magazine, Luxury Magazine, Smithsonian, Sierra Club, Saturday Evening Post, AARP, AAA Explorer Magazine, American Airways, Delta Sky, enRoute (Air Canada), Hemispheres, Jewish Journal, Myanmar Times, BuzzFeed, Robb Report, Scuba Diver Life, Ski Utah, Trivago, Undomesticated, USA Today, TODAY, Wharton Magazine, and Yahoo. Awards National Arts and Entertainment Journalism Awards 2021 Winner: Book Critic: Ms. Magazine “Untamed: Brave Means Living From the Inside Out” 2019 Winner: Soft News Feature for Film/TV: KTLA TV “Oscars Countdown to Gold with Lisa Niver” 2019 Finalist for: Soft News, Business/Music/Tech/Art Southern California Journalism Awards 2021 Winner: Technology Reporting 2021 Finalist: Book Criticism 2020 Winner: Print Magazine Feature: Hemispheres Magazine, “Painter by the Numbers, Rembrandt” 2020 Finalist: Online Journalist of the Year, Activism Journalism, Educational Reporting, Broadcast Lifestyle Feature 2019 Finalist: Broadcast Television Lifestyle Segment for “Ogden Ski Getaway” 2018 Finalist: Science/Technology Reporting, Travel Reporting, Personality Profile 2017 Winner: Print Column “A Journey to Freedom over Three Passovers”

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